Showing posts with label A. (subjects)-Humanities-Literature-American/British-(W. H. Auden). Show all posts
Showing posts with label A. (subjects)-Humanities-Literature-American/British-(W. H. Auden). Show all posts

2016-12-09

History of English Literature by Bhim Singh Dahiya

# click the up-left corner to select videos from the playlist

source: Cec Ugc      2016年3月1日

1 : The Anglo-Saxon Period 53:55
9: The Romantic Prose 55:58
11: The Elder Romantics 54:42
13: The Victorian Poets 51:22
14: The Victorian Prose 59:02
19: The Post War Poets 58:45
20: Modern Novel 56:56
22: The Age of Dryden 59:27
23: The Age of Pope 57:33
24: The Age of Johnson 58:09
28: The Postmodern Wave 56:55
29: The Age of Theory 58:50
31: The Post Colonialism 1:00:11

2016-03-31

Aron Dunlap: Living in the Age of Anxiety; Jacques Lacan in Dialogue with Paul Tillich and Hannah Arendt


source: Shimer College Chicago   2015年4月8日
Public Lecture by Dr. Aron Dunlap, Asst. Prof. of the Liberal Arts at Shimer College, delivered at the Seminary Co-op Bookstore
-----
Description:
In the years following WWII there seemed to be a general consensus among intellectuals in the West that if there was a pathological underbelly to any psychological health we might presume to own, it was anxiety. This was, they agreed, the Age of Anxiety, which was the title of a long poem by W.H. Auden that functioned as the inspiration for Leonard Bernstein’s 2nd symphony. The phrase made its way into common parlance and we see it forming the nucleus of concern in theologian Paul Tillich’s tremendously popular work, The Courage to Be. In this work, Tillich agreed with existentialists such as Sartre that, while fear has an object, the problem with anxiety was that it had none. For these thinkers, anxiety was part and parcel of human life, and one had to learn to take responsibility for a life that would never be free of the awe(ful) dread of living and the certainty of death. For Freud, the neurotic anxiety issuing from the castration complex was a kind of “bedrock” beyond which psychoanalysis could not venture. In his wake, Jacques Lacan re-interpreted this aspect of his master’s thought while also challenging the existentialists by claiming that anxiety, in fact, is “not without its object,” namely, objet a, the object cause of desire, which stands in the confluence of Lacan’s three registers of the Symbolic, Imaginary and Real, and which is an entirely dependable “signal” of the Real. While Hannah Arendt uses a radically different vocabulary, there is, in her political thought, something that, like objet a, falls away. In the American political experience what falls away is enjoyment in politics. What takes its places is the inevitable duality (right, left; conservative, liberal) that settles down in the place vacated by the object cause of desire.

For more of Dr. Dunlap on Jacques Lacan, be sure to check out his YouTube lecture "The Borromean Knot of Jaques Lacan; Or, How to Beat Your Death Drive."
----------
About Shimer College:
Located minutes from the Loop in Chicago, Shimer College is an independent, four-year liberal arts college that enrolls approximately 150 students. Founded in 1853 as the Mount Carroll Seminary, Shimer today provides a comprehensive, regularly-reviewed core curriculum that brings foundational books of the liberal arts to bear on the pressing problems of our time. Shimer College is committed to a primary-source, textbook-free curriculum, seminars of twelve or fewer students, and an ethos of community and service within a diverse group of students, teachers, scholars, and staff. Shimer offers traditional four-year degrees as well as early entrance and transfer pathways. To learn more about Shimer or to schedule a visit, check out our website at www.shimer.edu .

2013-08-15

Modern Poetry with Langdon Hammer at Yale University (Spring 2007)

# automatic playing for the 25 videos (click the up-left corner for the list)

source: YaleCourses     Last updated on 2012年12月6日
Modern Poetry (ENGL 310) with Langdon Hammer
This course covers the body of modern poetry, its characteristic techniques, concerns, and major practitioners. The authors discussed range from Yeats, Eliot, and Pound, to Stevens, Moore, Bishop, and Frost with additional lectures on the poetry of World War One, Imagism, and the Harlem Renaissance. Diverse methods of literary criticism are employed, such as historical, biographical, and gender criticism. Complete course materials are available at the Open Yale Courses website: http://oyc.yale.edu

1. Introduction 47:27
2. Robert Frost 46:06
3. Robert Frost (cont.) 50:06
4. William Butler Yeats 45:43
5. William Butler Yeats (cont.) 48:04
6. William Butler Yeats (cont.) 44:45
7. World War I Poetry in England 53:05
8. Imagism 46:16
9. Ezra Pound 52:04
10. T.S. Eliot 49:47
11. T.S. Eliot (cont.) 50:00
12. T.S. Eliot (cont.) 49:59
13. Hart Crane 39:21
14. Hart Crane (cont.) 46:37
15. Langston Hughes 45:58
16. William Carlos Williams 48:27
17. Marianne Moore 43:27
18. Marianne Moore (cont.) 42:45
19. Wallace Stevens 51:10
20. Wallace Stevens (cont.) 50:22
21. Wallace Stevens (cont.) 51:18
22. W. H. Auden 44:39
23. W. H. Auden (cont.) 51:17
24. Elizabeth Bishop 47:18
25. Elizabeth Bishop (cont.) 41:26

another source: http://oyc.yale.edu/english/engl-310#sessions (Yale University)
Lecture 1 Introduction
Lecture 2 Robert Frost
Lecture 3 Robert Frost (cont.)
Lecture 4 William Butler Yeats
Lecture 5 William Butler Yeats (cont.)
Lecture 6 William Butler Yeats (cont.)
Lecture 7 World War I Poetry in England
Lecture 8 Imagism
Lecture 9 Ezra Pound
Lecture 10 T.S. Eliot
Lecture 11 T.S. Eliot (cont.)
Lecture 12 T.S. Eliot (cont.)
Lecture 13 Hart Crane
Lecture 14 Hart Crane (cont.)
Lecture 15 Langston Hughes
Lecture 16 William Carlos Williams
Lecture 17 Marianne Moore
Lecture 18 Marianne Moore (cont.)
Lecture 19 Wallace Stevens
Lecture 20 Wallace Stevens (cont.)
Lecture 21 Wallace Stevens (cont.)
Lecture 22 W. H. Auden
Lecture 23 W. H. Auden (cont.)
Lecture 24 Elizabeth Bishop
Lecture 25 Elizabeth Bishop (cont.)
Exam 1 Final Exam