How ancient art influenced modern art - Felipe Galindo

source: TED-Ed     2016年2月25日
View full lesson: http://ed.ted.com/lessons/how-ancient...
The term modern art sounds like it means art that is popular now, but the style actually originated over 150 years ago and includes artists like Picasso, Matisse, and Gauguin. What’s more ironic is that this movement they pioneered – considered revolutionary at the time – was inspired largely by objects of traditional and ancient design. Felipe Galindo details ancient influences on modern art.
Lesson by Felipe Galindo, animation by TED-Ed.

Theatre & Psychoanalysis by Antonio Quinet

# automatic playing for the 6 videos (click the up-left corner for the list)

source: ANTONIO QUINET  2014年2月14日
Center for Freudian Analysis and Research, London
Theatre & Psychoanalysis by Antonio Quinet 1 The Semblant in Lacan's theory 0  15:07

Theatre & Psychoanalysis 2 The Clinics of the Act 1 15:07

Theatre & Psychoanalysis 3 by Antonio Quinet The Analyst and the Actor 2 15:07

Theatre & Psychoanalysis 4 by Antonio Quinet The analyst's Interpretation 0 15:07

Theatre & Psychoanalysis 5 by Antonio Quinet The Brecht's effect of Strangeness 115:07

Theatre & Psychoanalysis 6 by Antonio Quinet The Analyst as an Enigma 05:44

Annual Freud memorial lecture 2012 at the University of Essex

source: University of Essex     2012年9月5日
A full recording of the 2012 Annual Freud Memorial Lecture introduced by Professor Roderick Main, from our Centre for Psychoanalytic Studies, and delivered by Professor Jan Abram on 'Winnicott's last word on the death instinct' (clinical examples have been removed for confidentiality reasons). To find out more about the Centre for Psychoanalytic Studies go to http://www.essex.ac.uk/cps

JNU Philosophy Colloquium: Anup Dhar on "Psychoanalysis: The Other Side ...

source: Babu Thaliath     2014年12月7日
Time and Date: 4. p.m.Friday 29th August, 2014
Venue: School of Language, Literature & Culture Studies
Jawaharlal Nehru University New Delhi
Abstract:Jacques Lacan's Seminar XVII, delivered at the Law Faculty, Place du Pantheon, in 1969-70 is titled The Other Side of Psychoanalysis. Lacan was undecided as to whether he should title this seminar (a) "Psychoanalysis upside down", i.e. "a revival of the Freudian project upside down, or (b) The Other Side of Psychoanalysis, i.e. "a revival from the other direction. Taking off from Foucault's take on 'philosophy' and ascesis (askesis) in Hermeneutics of the Subject this talk argues that psychoanalysis could be seen as the other side of philosophy; an 'other side' that is also somewhat closely related to the philosophy of the Other. Why however, would psychoanalysis be the other side of philosophy, other side of which philosophy, and which psychoanalysis would be the other side, would have to be examined, perhaps demonstrated. One will also have to see what is the other side? What does it mean to be on the other side or to not be on the other side? Turning away from psychoanalysis marked by 'The Repressive Hypothesis', Oedipalization and the interiority of the desiring subject, Lacan and Derrida in their respective ways develop the other side of psychoanalysis; which also happens to be the other side of philosophy. In their rewriting of psychoanalysis they thus rewrite philosophy; or perhaps in their rewriting of philosophy they rewrite psychoanalysis. The talk asks, does the Freudian turn to the akratic, the bodily ego, and the sexuated take psychoanalysis to the other side of philosophy, an other side Foucault inaugurates in History of Madness and Irigaray inaugurates in Speculum of the Other Woman? Between Lacan's rewriting of the 'philosophy of the subject' in Seminar on "The Purloined Letter", Remarks on Daniel Lagache's Presentation, and Logical Time and the Assertion of Anticipated Certainty and Derrida's rewriting of the 'philosophy of mind' and the topographical in Freud and the Scene of Writing and The Wolf Man's Magic Word: A Cryptonymy do we get a glimpse of psychoanalysis as the other side of philosophy? Is Heidegger’s critique of the Cartesian cogito an alter ego of the Freudian ‘decentring’ of the subject? Through the paradoxical and counterintuitive embrace of the cogito as the subject of the unconscious, does Lacan open the other side of (Cartesian) philosophy? What does the Lacanian Real do to (Kantian) philosophy? Does the psychoanalytic turn hollow out its own support tree: philosophy? Does the main trunk of psychoanalysis get hollowed out in turn and in the process? What remain are perhaps just prop roots! What we end up with is the Banyan Vine of a vast network of innumerable prop roots, of both psychoanalysis and philosophy.

The Myth of the "Clash of Civilizations". Edward Said

source: Palestine Diary    2011年5月13日
In 1993 Harvard Professor Samuel P. Huntington wrote an essay titled "The Clash of Civilizations?" and later he expanded into a book with the same title, but without the question mark. Edward Said, late Columbia professor rips Huntington's thesis to shreds.

WAPPP Seminar: A Transatlantic Perspective on the Strauss Kahn Affair, F...

source: Harvard University      2012年3月22日
Muriel Rouyer, Visiting Professor of Public Policy, Harvard Kennedy School. This talk examines how the Dominique Strauss Kahn affair exposed the ongoing struggles of feminism in France. Rouyer suggests that although French feminism is diverse, it can be developed further by creating a "culture of rights" inspired by both the United States and the European Union.
Date: March 1, 2012

表演藝術 (2015)--淡江大學

# 播放清單 (請按影片的左上角選取)

source: 淡江大學開放式課程     2015年11月25日

表演藝術-104.02.25 1:34:43
表演藝術-104.03.04 1:19:44
表演藝術-104.03.11 1:06:11
表演藝術-104.03.18 55:59
表演藝術.104.03.25 23:29
表演藝術-104.04.08 39:37
表演藝術-104.04.15 1:10:26
表演藝術.104.05.20 36:57
表演藝術-104.05.27 34:18
表演藝術-104.06.03 21:23
表演藝術-104.06.10 1:29:01
表演藝術-104.06.17 1:17:44