Showing posts with label A. (subjects)-Humanities-Cultural/Interdisciplinary Theories-(Roland Barthes). Show all posts
Showing posts with label A. (subjects)-Humanities-Cultural/Interdisciplinary Theories-(Roland Barthes). Show all posts

2017-01-17

Structuralism in Social Sciences: Levi-Strauss and Roland Barthes (Contemporary Sociology Theory at METU) by Erdoğan Yıldırım

Course: Contemporary Sociology Theory -
WEEK 6 - The Structuralist Turn
WEEK 7 - Structuralism in Social Sciences: Levi-Strauss and Roland Barthes
Instructor: Assoc. Prof. Erdoğan Yıldırım
For Lecture Notes: http://ocw.metu.edu.tr/course/view.php?id=249

2016-03-30

Rachel K. Ward. Roland Barthes and Fashion Photography. 2012


source: European Graduate School   2013年3月19日
http://www.egs.edu/ Rachel K. Ward, talking about the dude, male, hipster, and modesty. In the lecture Rachel K. Ward discusses the concepts of silence, fantasy, fashion, photography, in relationship to Georg Simmel, Karl Lagerfeld, Roland Barthes, Steven Klein, Steven Meisel, focusing on brands, isolation, spectacle, and signifiers. Public open lecture for the students and faculty of the European Graduate School EGS Media and Communication Studies department program Saas-Fee Switzerland Europe 2012 Rachel K Ward.

Rachel K. Ward, Ph.D., is a rising philosopher who specializes in the intersection of fashion and art. She is a Professor of fashion media at the European Graduate School (EGS) where she teaches an intensive summer seminar. The focus of her work is visual culture as meta-language, specifically how fashion images serve as a site for the negotiation of desire. For Ward, fashion photography functions as an intersection of aesthetic, ethical and social values. As a popular but equally creative and often progressive media it crosses thresholds of both journalism and art. The result is a unique form of media that works to advance ideal, mythical and capitalist desires.

Ward has a combination of academic and professional experience in the US and Europe. Her Ph.D. dissertation was entitled "The Vanishing Point: Decadence, Desire, Truth", receiving the Magna Cum Laude distinction at EGS. Ward also holds an MA in Art History, receiving Cum Laude distinction at the University of Florida. Her graduate thesis on artist Edward Ruscha, entitled "Scenic Drive," was published by MAXXI in Rome. Ward also holds a BA in Psychology, with an Art History minor, from Stetson University, Florida. Ward supports her academic work with more than a decade of professional experience in international fashion and art. She has been featured for her creative work in Vogue (Paris), as well as in the New York Times, Artforum's "Best of" and others. Additionally, she has written journalism for the New York Times global edition, Haute Living, V Magazine and ArtReview. She has also consulted in fashion and art branding, photography and private collections.

2015-06-24

Slavoj Žižek. The Function of Fantasy In The Lacanian Real. 2012


source: European Graduate School    2012年11月22日
http://www.egs.edu/ Slavoj Žižek, philosopher and author, talking about the transcendental constitution of reality. In this lecture Slavoj Žižek discusses the logic of dreams in Freud, subjectivity, how real sex functions against fantasy, ethical certainty, temporal delay in the act of psychoanalysis and Badiou's concept of decision and forcing the real in relationship to Jacques Lacan, Ludwig Wittgenstein, Sigmund Freud, Alain Badiou, David Lynch, Roland Barthes and Jean-Pierre Melville focusing on the neighbor, censorship, prohibition, sexual non-relation, big Other, trauma, libido, pornography and love. Public open lecture for the students and faculty of the European Graduate School EGS Media and Communication Studies department program Saas-Fee Switzerland Europe. 2012. Slavoj Žižek.

2013-12-20

Sigrid Hackenberg. Reading Philosophy as Fiction. 2013


source: egsvideo  2013年12月19日
http://www.egs.edu/ Sigrid Hackenberg, philosopher and thinker, talking about the duplicity, philosophy, fiction, and language. In the lecture Sigrid Hackenberg discusses the concepts of knowledge, semiotic, symbolic, Hegel, in relationship to Susan Sontag, Freud, Agamben, Catherine Clément, Barthes, Foucault, focusing on captivation, poetics, and Julia Kristeva. Public open lecture for the students and faculty of the European Graduate School EGS Media and Communication Studies department program Saas-Fee Switzerland Europe 2013 Sigrid Hackenberg.

Sigrid Hackenberg y Almansa, Ph.D., was born in Barcelona, Spain, to German and Spanish parents. An interdisciplinary artist and philosopher based in New York, she is an Assistant Professor of Media Philosophy at the European Graduate School, Saas-Fee, Wallis, Switzerland. Her scholarly research interests lie within Continental philosophy and feminism. Recent essays have focused on such topics as the philosophy of language, the act of reading and writing, and 'ethics as first philosophy.' She is the author of a forthcoming study on the writings of G.W.F. Hegel and Emmanuel Levinas(Atropos Press). A book focusing on the topic of language and the feminine is currently in preparation. Hackenberg y Almansa's latest video and sound installation, focusing on the subject of the Spanish Civil War and created in collaboration with Dolores R. A. Hackenberg, was recently commissioned by the Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC), Badajoz, Spain.

Sigrid Hackenberg is the author for Total History, Anti-History and the Face that is Other, "The Figure of Total History, the Sacred and Terror" in Stephen David Ross (Editor). International Studies in Philosophy (2007), she edited journals Poligrafi - Journal for Interdisciplinary Study of Religion (JISR). She did video and sound installations such as The Torture Series: The Abu Ghraib Portraits (2006), THIS MEANS YOU / Nazism, Holocaust, Resistance 1933-1945 (2003), ICH HEIßE (my name is) ROSA LUXEMBURG (2001), and The Time and The Place (1999)