Neelima Talwar: Understanding Creativity and Creative Writing (IIT Bombay)

# playlist of the 41 videos (click the up-left corner of the video)

source: nptelhrd    2015年6月11日
Humanities - Understanding Creativity and Creative Writing by Prof. Neelima Talwar, Department of Humanities and Social Sciences, IIT Bombay. For more details on NPTEL visit http://nptel.ac.in

Mod-01 Lec-01 Overview 23:38
Mod-01 Lec-02 In Conversation with Richard Schechner 31:42
Mod-01 Lec-03 Multilingual Plurality: Our Environment 21:38
Mod-01 Lec-04 Multilingual Plurality: Our Environment -Part II 26:35
Mod-01 Lec-05 Interplay of Languages and Forms of Writing 45:25
Mod-01 Lec-06 Interplay of Languages and Forms of Writing -Part II 36:21
Mod-01 Lec-07 Creativity and Culture's 33:46
Mod-01 Lec-08 Notion of Play and The Three Domain Activities 54:01
Mod-01 Lec-09 Theory of Enjoyment: Critical Assessment 34:43
Mod-01 Lec-10 Divergences and Convergences 19:21
Mod-01 Lec-11 Divergences and Convergences -Part II 25:30
Mod-01 Lec-12 Creative and Cultural Spaces for Students 44:14
Mod-01 Lec-13 Being and Doing: Writing as Performance 41:01
Mod-02 Lec-14 Writers and Writing: The Dialogic Process 53:09
Mod-02 Lec-15 Creativity, Writing, Creative Writing: Recent Viewpoints 43:05
Mod-02 Lec-16 Issues Related to the Teaching of Creative Writing 41:16
Mod-02 Lec-17 Writers on Writing: Albert Camus 46:57
Mod-02 Lec-18 Critical Reading of Great Writers: Albert Camus 46:50
Mod-02 Lec-19 Critical Reading of Important Writers: Margaret Atwood 40:12
Mod-02 Lec-20 Reading and Writing 53:48
Mod-02 Lec-21 Indian Writing: Writers/Narrators 49:39
Mod-02 Lec-22 Contemporary Indian Writers: The Search for Creativity (I) 53:45
Mod-02 Lec-23 Contemporary Indian Writers: The Search for Creativity (II) 51:06
Mod-02 Lec-24 Mosaic Patterns: Module 2 48:35
Mod-03 Lec-25 Introduction to Drama 33:57
Mod-03 Lec-26 Performance and Script Writing: Mime 40:15
Mod-03 Lec-27 Western Classical Theory 55:52
Mod-03 Lec-28 Student Response (I) 36:07
Mod-03 Lec-29 Indian Drama: Classical Theory and Practice 52:15
Mod-03 Lec-30 Interacting Continuum: Classical, Folk and Modern Drama 54:39
Mod-03 Lec-31 From The Perspective of Playwriting: Monologue 49:40
Mod-03 Lec-32 From The Playwright\'s Perspective 43:05
Mod-03 Lec-33 From The Playwright's Perspective -Part II 48:20
Mod-03 Lec-34 From The Perspective of Playwriting: Anton Chekhov 52:10
Mod-03 Lec-35 Drama in the Classroom: Experience and Writing 55:24
Mod-03 Lec-36 Student Response (II) 43:48
Mod-03 Lec-37 Performative Reading of the Cherry Orchard 36:19
Mod-04 Lec-38 Short Story as a Genre 47:02
Mod-04 Lec-39 Short Stories by Indian Women Writers 38:20
Mod-04 Lec-40 Modern Western Short Story 33:38
Mod-04 Lec-41 Varieties of Writing Processes 52:52