Jon Beasley-Murray: Frantz Fanon, Black Skin, White Masks (03/02/2014)

source: Arts One Open    2014年2月3日
Lecture by Jon Beasley-Murray for the "Remake/Remodel" theme. For more, see http://artsone-open.arts.ubc.ca/frant....
For a version of this video with slides, go to http://mediasitemob1.mediagroup.ubc.c....
See also Renisa Mawani's video on The Wretched of the Earth: https://www.youtube.com/watch?v=jYgGt....

Achille Mbembe. Technologies of Happiness in the Age of Animism. 2016

source: European Graduate School Video Lectures   2016年9月12日
http://egs.edu/ Achille Mbembe. Public open lecture for the students of the Division of Philosophy, Art & Critical Thought at the European Graduate School EGS, Saas-Fee/Switzerland and Valetta/Malta. 2016.
Achille Mbembe is a philosopher, political scientist, and public intellectual. He obtained his doctoral degree at the Université Paris 1 (Panthéon-Sorbonne) in 1989 and subsequently obtained the D.E.A. in Political Science at the Institut d'études politiques, Paris. During his time in France, Jean-Marc Ela, Jean Leca and Jean-François Bayart had a profound influence on him. Mbembe is a Research Professor of History and Politics at the Wits Institute for Social and Economic Research in Johannesburg, South Africa and a Visiting Professor in the Department of Romance Studies at the Franklin Humanities Institute, Duke University. He has also held appointments at Columbia University, Berkeley, Yale University, and the University of California. In the spring of 2016, he will be a visiting professor at Harvard University.
Achille Mbembe’s research interests lie in the social sciences and African history and politics. More precisely, Mbembe investigates the “postcolony” that comes after decolonization. He is especially interested in the emergence of “Afro-cosmopolitan culture,” together with the artistic practices that are associated with it. However, he has also critically explored the notion of Johannesburg as a metropolitan city and the work of Frantz Fanon.
Mbembe’s most important works are: Les jeunes et l’ordre politique en Afrique noire (1985); La naissance du maquis dans le Sud-Cameroun (1920-1960); Histoire des usages de la raison en colonie (1996); De la postcolonie. Essai sur l’imagination politique dans l’Afrique contemporaine (2000); Sortir de la grande nuit : Essai sur l'Afrique décolonisée (2003); Critique de la raison nègre (2013). His seminal work De la postcolonie. Essai sur l’imagination politique dans l’Afrique contemporaine (On the Postcolony) was translated into English in 2001 and published by the University of California Press. This work has also been republished in an African edition by Wits University Press, and contains a new preface by Achille Mbembe.
In On the Postcolony, Mbembe attempts to renew and reinterpret our understanding of power and subjectivity in contemporary Africa and to subvert some key assumptions of postcolonial theory. He claims that Africa is no longer the “colony” that Frantz Fanon described in his work Wretched of the Earth. The central gesture of Mbembe’s work is to identify societies that recently emerged from the experience of colonization and the violence that is the main characteristic of this experience. The goal of his work is to change the perception of Africa and to move away from the dead-end of postcolonial theory to a more dynamic way of thinking that will take into account the complexities of post-colonial Africa. In his interview with the French magazine Esprit, Achille Mbembe describes his book in the following way: “In many respects my book adopts a different approach from that of most postcolonial thinking, if only over the privileged position accorded by the latter to questions of identity and difference, and over the central role that the theme of resistance plays in it. There is a difference, to my mind, between thinking about the "postcolony" and "postcolonial" thought. The question running through my book is this: "What is 'today', and what are we, today?" What are the lines of fragility, the lines of precariousness, the fissures in contemporary African life? And, possibly, how could what is be no more, how could it give birth to something else? And so, if you like, it's a way of reflecting on the fractures, on what remains of the promise of life when the enemy is no longer the colonist in a strict sense, but the "brother"? So the book is a critique of the African discourse on community and brotherhood.”

Homi K. Bhabha: Why Care About the HUMANITIES?

source: oublidelinde     2015年2月21日
Interests:
Cosmopolitanism; human rights in the context of aesthetics and culture; the works of Joseph Conrad, Walter Benjamin, Adrienne Rich, Toni Morrison, V.S. Naipaul, J.M. Coetzee.

Selected Works:
On Art (forthcoming); A Global Measure (forthcoming); The Right to Narrate (forthcoming); Beyond Photography (2011); Our Neighbours, Ourselves (2011); Elusive Objects (2009); On Global Memory (2009); The Black Savant and the Dark Princess (2006); Framing Fanon (2005); The Location of Culture (2004, Routledge Classics); Still Life (2004); Adagio (2004).

Manthia Diawara. Identity and Différance in Black Literature. 2012

source: egsvideo  2013年12月12日
http://www.egs.edu Manthia Diawara, Malian writer, cultural theorist and filmmaker, talking about identity politics and the philosophy of language within black literature. In this lecture, Manthia Diawara discusses African diaspora, the relationship between Africa and Europe, Deleuze's concept of the rhizome, the application of psychoanalysis to postcolonialism, feminist readings of Fanon and linguistics in post-structuralism and deconstruction in relationship to Frantz Fanon, Edouard Glissant, Gilles Deleuze, Ngũgĩ wa Thiong'o, Josiah Mwangi Kariuki, Maryse Condé, Homi K. Bhabha, Jacques Derrida, Gayatri Spivak and June Jordan focusing on African nationalism, the brics, black literature, the rapid development of technology, Francophone Africa, identity politics, alienation, dependency complexes, difference, the voice of the Other and the culture wars in the United States. Public open lecture for the students and faculty of the European Graduate School EGS Media and Communication Studies department program Saas-Fee Switzerland Europe. 2012. Manthia Diawara.

Manthia Diawara, Ph.D., (born 1953 Bamako, West Africa) is a writer, cultural theorist, film director and professor of comparative literature of Malian origin. After studying in Bamako, he went on to pursue studies in literature in France but completing his doctorate in 1985 at Indiana University in the United States, where he currently resides. Having taught at the University of California at Santa Barbara the University of Pennsylvania, Manthia Diawara went on to become a professor of comparative literature and cinema at New York University where he also heads the Department of African Studies and the Institute of African American Affairs. He teaches summer intensive courses at the European Graduate School and is the founder of the publishing house "Black Renaissance".

Manthia Diawara has produced and directed several documentaries, among them "Sembène Ousmane: The Making of African Cinema" (1994, in collaboration with Kenyan writer Ngûgî wa Thiong'o), "Rouch in Reverse" (1995) and Bamako Sigi-Kan (2003), an intimate look at his hometown. He has also written extensively on film and literature of the Black Diaspora. Some of his writings include African Cinema: Politics and Culture (1992), Black American Cinema: Aesthetics and Spectatorship (1993), In Search of Africa (1998), We Won't Budge: An African Exile in the World (2004), Bamako-Paris-New York (2007) and African Film: New Forms of Aesthetics and Politics (2010).