# playlist (click the video's upper-left icon)
source: GreshamCollege 2015年10月19日
The transcript and downloadable versions of the lectures are available from the Gresham College website: http://www.gresham.ac.uk/lectures-and...
Website: http://www.gresham.ac.uk
Twitter: http://twitter.com/GreshamCollege
Facebook: https://www.facebook.com/greshamcollege
1 44:16 Medieval Music: The Stations of the Breath
At the heart of virtually all the medieval music that survives, is the human voice. This is an ancient heritage: http://www.gresham.ac.uk/lectures-and...
The early Christians under the Roman Empire believed themselves to be engaged in a pilgrimage through a transitory world, where they were strangers, to their true home and an eternal liturgy ‘where my servants shall sing for joy of heart’, as St John the Divine says in Revelation. But why have singing in worship? What was to be gained, in the early Church and in its medieval descendant, by having a choir singing snippets of the Scripture, often extracted from their original context and sewn together in new patterns? We shall find that the answer lies in the breathing body.
2 50:20 Medieval Music: Chant as Cure and Miracle
3 44:31 Medieval Music: To Sing and Dance
4 45:34 To Chant in a Vale of Tears
5 55:17 Medieval Music: The Mystery of Women
6 44:44 Medieval Music: The Lands of the Bell Tower
Showing posts with label B. (figures)-P-Christopher Page. Show all posts
Showing posts with label B. (figures)-P-Christopher Page. Show all posts
2018-04-20
Christopher Page - For Courtesan, Queen and Gallant: The Guitar in England From Henry VIII to Samuel Pepys
# playlist (click the video's upper-left icon)
source: GreshamCollege 2017年10月20日
The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/lectures-an...
Website: http://www.gresham.ac.uk
Twitter: http://twitter.com/GreshamCollege
Facebook: https://www.facebook.com/greshamcollege
Instagram: http://www.instagram.com/greshamcollege
1 53:24 The Guitar in Tudor London
Few people now remember that the guitar was popular in England during the age of Queen Elizabeth and Shakespeare, and yet it was played everywhere from the royal court to the common tavern.
In 1559 Queen Elizabeth herself received a case of three guitars as a New-Years day present.
This opening lecture of the series, with musical illustrations, will use documents, poetry and images to bring the instrument to life, with a particular focus on the autobiography of the beguiling Tudor musician Thomas Whythorne.
2 47:55 Buying, Selling and Owning Guitars in Elizabethan England
What kind of people owned a guitar in the London of Elizabeth I and where did they go shopping for one? It is possible to assemble a remarkably full picture of the instruments place in the social life and trade and trade of Tudor England.
Guitars were an imported luxury from abroad that came with looking glasses, perfumed gloves and many other luxuries on a scale probably unknown, in many cases, to the purchasers grandparents.
3 [private video]
4 49:18 An Englishman (with a Guitar) Abroad
In 1643 an English landowner, Sir Ralph Verney, fled to France in the depths of the Civil War. He settled in Blois and, while there, amassed a vast archive that is still unpublished. The letters Verney kept, and his financial accounts, show that almost every member of his family learned the guitar. These records provide a wealth of information about the music they played, the guitars they bought and their reasons for cultivating a light and fashionable instruments far from home.
5 52:39 The Guitar at the Restoration Court
When the most famous diarist in English, Samuel Pepys, accompanied Charles II back to London for the Restoration of the monarchy he was given the task of carrying the kings guitar. From this moment on, the instrument had a the royal seal of approval and some of the best guitar playing in Europe was heard at Whitehall. Court ladies had themselves portrayed with a guitar on their lap like a musical pet; actors and actresses played them in comedies and guitar-masters made a living teaching the daughters of London barmaids.
6 [private video]
7 48:36 The Guitar in the Age of Charles I
The courts of James I and his son Charles I were more cosmopolitan than their Elizabethan forebears. Many courtiers had now visited the Continent in early adulthood with a tutor, mostly after a period of residence at a university.
The guitar at the English court entered a new and very lively phase, as sketched in a scenery design by Inigo Jones and played in a masque by a leading court musician. On the verge of the Civil War, the guitar rapidly became the fashionable instrument of elite London from Covent Garden to Westminster.
source: GreshamCollege 2017年10月20日
The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/lectures-an...
Website: http://www.gresham.ac.uk
Twitter: http://twitter.com/GreshamCollege
Facebook: https://www.facebook.com/greshamcollege
Instagram: http://www.instagram.com/greshamcollege
1 53:24 The Guitar in Tudor London
Few people now remember that the guitar was popular in England during the age of Queen Elizabeth and Shakespeare, and yet it was played everywhere from the royal court to the common tavern.
In 1559 Queen Elizabeth herself received a case of three guitars as a New-Years day present.
This opening lecture of the series, with musical illustrations, will use documents, poetry and images to bring the instrument to life, with a particular focus on the autobiography of the beguiling Tudor musician Thomas Whythorne.
2 47:55 Buying, Selling and Owning Guitars in Elizabethan England
What kind of people owned a guitar in the London of Elizabeth I and where did they go shopping for one? It is possible to assemble a remarkably full picture of the instruments place in the social life and trade and trade of Tudor England.
Guitars were an imported luxury from abroad that came with looking glasses, perfumed gloves and many other luxuries on a scale probably unknown, in many cases, to the purchasers grandparents.
3 [private video]
4 49:18 An Englishman (with a Guitar) Abroad
In 1643 an English landowner, Sir Ralph Verney, fled to France in the depths of the Civil War. He settled in Blois and, while there, amassed a vast archive that is still unpublished. The letters Verney kept, and his financial accounts, show that almost every member of his family learned the guitar. These records provide a wealth of information about the music they played, the guitars they bought and their reasons for cultivating a light and fashionable instruments far from home.
5 52:39 The Guitar at the Restoration Court
When the most famous diarist in English, Samuel Pepys, accompanied Charles II back to London for the Restoration of the monarchy he was given the task of carrying the kings guitar. From this moment on, the instrument had a the royal seal of approval and some of the best guitar playing in Europe was heard at Whitehall. Court ladies had themselves portrayed with a guitar on their lap like a musical pet; actors and actresses played them in comedies and guitar-masters made a living teaching the daughters of London barmaids.
6 [private video]
7 48:36 The Guitar in the Age of Charles I
The courts of James I and his son Charles I were more cosmopolitan than their Elizabethan forebears. Many courtiers had now visited the Continent in early adulthood with a tutor, mostly after a period of residence at a university.
The guitar at the English court entered a new and very lively phase, as sketched in a scenery design by Inigo Jones and played in a masque by a leading court musician. On the verge of the Civil War, the guitar rapidly became the fashionable instrument of elite London from Covent Garden to Westminster.
2017-06-03
Christopher Page--The Christian Singer from the Gospels to the Gothic Cathedrals
# click the upper-left icon to select videos from the playlist
source: GreshamCollege 2016年11月22日
The transcript and downloadable versions of the lectures are available from the Gresham College website: http://www.gresham.ac.uk/lectures-and...
Website: http://www.gresham.ac.uk
Twitter: http://twitter.com/GreshamCollege
Facebook: https://www.facebook.com/greshamcollege
Instagram: http://www.instagram.com/greshamcollege
The Music of the First Christians - Professor Christopher Page 49:57
Professor Christopher Page looks at the early Christians singing and illustrates it with performances by the world-renowned tenor Christopher Watson http://www.gresham.ac.uk/lectures-and...
Early in the second century a Roman governor interrogated a group of Christians to satisfy himself that they had not offended against his recent edict banning clubs that might acquire a political slant. The Christians told him that they said that they convened before dawn on Sundays, when they were accustomed to sing a hymn of praise, and that they met subsequently to share a common meal. Perhaps to confute the rumour that they and their co-religionists indulged in cannibalism, the prisoners insisted that they ate perfectly innocent food when they gathered. Like many others in the first and second centuries, the governor thought the Christians very strange. So they were in many respects, but they were not so strange that they repudiated the use of ritual song. We begin our survey with the music of the first Christian communities.
Towards a Ministry of Singing 52:11
Schooling Singers in the Cathedrals 47:25
Roman Singing and its Influence Across Europe 48:05
The Christian Singer: Charlemagne and Beyond 45:22
source: GreshamCollege 2016年11月22日
The transcript and downloadable versions of the lectures are available from the Gresham College website: http://www.gresham.ac.uk/lectures-and...
Website: http://www.gresham.ac.uk
Twitter: http://twitter.com/GreshamCollege
Facebook: https://www.facebook.com/greshamcollege
Instagram: http://www.instagram.com/greshamcollege
The Music of the First Christians - Professor Christopher Page 49:57
Professor Christopher Page looks at the early Christians singing and illustrates it with performances by the world-renowned tenor Christopher Watson http://www.gresham.ac.uk/lectures-and...
Early in the second century a Roman governor interrogated a group of Christians to satisfy himself that they had not offended against his recent edict banning clubs that might acquire a political slant. The Christians told him that they said that they convened before dawn on Sundays, when they were accustomed to sing a hymn of praise, and that they met subsequently to share a common meal. Perhaps to confute the rumour that they and their co-religionists indulged in cannibalism, the prisoners insisted that they ate perfectly innocent food when they gathered. Like many others in the first and second centuries, the governor thought the Christians very strange. So they were in many respects, but they were not so strange that they repudiated the use of ritual song. We begin our survey with the music of the first Christian communities.
Towards a Ministry of Singing 52:11
Schooling Singers in the Cathedrals 47:25
Roman Singing and its Influence Across Europe 48:05
The Christian Singer: Charlemagne and Beyond 45:22
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