Showing posts with label A. (subjects)-Architecture / Art / Design-Aesthetics & Arts-Yale University Art Gallery Programs. Show all posts
Showing posts with label A. (subjects)-Architecture / Art / Design-Aesthetics & Arts-Yale University Art Gallery Programs. Show all posts
2018-03-08
Fall 2017 Programs (from Yale University Art Gallery)
source: Yale University Art Gallery 2018年1月13日
The Gallery offers a variety of lectures, panel discussions, and talks that place our collection and exhibitions in the broader context of history and culture. Speakers include curators, scholars, artists, critics, writers, and others engaged with the world of art and ideas. Programs range from lectures for a general audience to symposia with a scholarly focus. Concerts, film screenings, dramatic performances, and literary readings connect the art on view at the Gallery with other forms of expression. Master classes provide an opportunity to explore works of art in an intimate classroom setting with a curator, educator, or guest scholar.
Please check our online calendar for a full listing of lectures and other events http://artgallery.yale.edu/programs-archive
1 20:40 Highlights from: Barikan: A Wayang Ritual Drama with Gamelan and Shadow Puppets
2 2:17:29 Barikan: A Wayang Ritual Drama with Gamelan and Shadow Puppets
3 1:07:03 At Edward Hopper’s Doorstep
4 1:16:24 Experiments at the Intersection of Art, Law and Innovation
5 1:01:38 Joseph Stella and the View from Brooklyn
6 51:10 Albert Bierstadt Follows the Sun
7 53:01 Sanford Gifford Creates “Darkness Visible”
8 1:23:51 An-My Lê and Peter van Agtmael
9 1:01:03 Frederic Church in the Maine Wilderness
10 1:05:51 Thomas Cole’s Catskills
11 1:00:34 Changing Times, Changing Tastes: Collecting American Art from the 1950s to Today
12 1:08:26 A Withdrawal from Appearance: Modernism and Exile in the 20th Century
13 1:11:40 The Heart Is a Muscle
2017-08-10
Spring 2017 Programs at Yale University Art Gallery
# You can also click the upper-left icon to select videos from the playlist.
source: Yale University Art Gallery 2017年2月17日
The Gallery offers a variety of lectures, panel discussions, and talks that place our collection and exhibitions in the broader context of history and culture. Speakers include curators, scholars, artists, critics, writers, and others engaged with the world of art and ideas. Programs range from lectures for a general audience to symposia with a scholarly focus. Concerts, film screenings, dramatic performances, and literary readings connect the art on view at the Gallery with other forms of expression. Master classes provide an opportunity to explore works of art in an intimate classroom setting with a curator, educator, or guest scholar. Please check our online calendar for a full listing of lectures and other events http://artgallery.yale.edu/programs-archive
The Prayer Pilgrimage for Freedom: Racial Justice Activism in 1957 and Beyond 1:21:04
William P. Jones, La Tanya S. Autry, and others
Thursday, January 19, 2017, 5:30 pm
In dialogue with Yale University students, historian William P. Jones, Professor of History at the University of Minnesota and author of The March on Washington: Jobs, Freedom, and the Forgotten History of Civil Rights, relates the roots and organizing methods of the 1957 Prayer Pilgrimage for Freedom to the renowned March on Washington of 1963. The panelists also discuss how these historic mass demonstrations inspired the current activist strategies of the Black Lives Matter movement. Generously sponsored by the Martin A. Ryerson Fund.
The Astonishing Richness of Igbo Art: Beauties, Beasts, and Others 52:36
An Evening of Albers: Conversations on Small-Great Objects 1:03:28
Art and Education in Apartheid South Africa 1:09:03
What Is a Screen?: Screening Nature 1:31:55
What Is a Screen?: Projection and Protection 1:31:16
What Is a Screen?: Material. Human. Divine. Notes on the Vertical Screen 1:44:07
Amazigh Women’s Arts: Visual Expressions of Berber Identity 1:14:07
After Wilfred: The Influence of Lumia on the Joshua Light Show 1:08:56
The Dutch Abroad and What They Brought Back, Nautilus Cups in Holland: East Embraced by West 1:02:59
[deleted video]
“The Carryers of the World”: Trade and Luxury Goods in the Dutch Golden Age 55:38
Fragile Matters: Fascination for Ceramic in the Early Modern Period 1:00:15
The Lemon’s Lure
The Domestic Material World of New Netherlands 1:13:42
West Meets East in Miniature 1:00:10
source: Yale University Art Gallery 2017年2月17日
The Gallery offers a variety of lectures, panel discussions, and talks that place our collection and exhibitions in the broader context of history and culture. Speakers include curators, scholars, artists, critics, writers, and others engaged with the world of art and ideas. Programs range from lectures for a general audience to symposia with a scholarly focus. Concerts, film screenings, dramatic performances, and literary readings connect the art on view at the Gallery with other forms of expression. Master classes provide an opportunity to explore works of art in an intimate classroom setting with a curator, educator, or guest scholar. Please check our online calendar for a full listing of lectures and other events http://artgallery.yale.edu/programs-archive
The Prayer Pilgrimage for Freedom: Racial Justice Activism in 1957 and Beyond 1:21:04
William P. Jones, La Tanya S. Autry, and others
Thursday, January 19, 2017, 5:30 pm
In dialogue with Yale University students, historian William P. Jones, Professor of History at the University of Minnesota and author of The March on Washington: Jobs, Freedom, and the Forgotten History of Civil Rights, relates the roots and organizing methods of the 1957 Prayer Pilgrimage for Freedom to the renowned March on Washington of 1963. The panelists also discuss how these historic mass demonstrations inspired the current activist strategies of the Black Lives Matter movement. Generously sponsored by the Martin A. Ryerson Fund.
The Astonishing Richness of Igbo Art: Beauties, Beasts, and Others 52:36
An Evening of Albers: Conversations on Small-Great Objects 1:03:28
Art and Education in Apartheid South Africa 1:09:03
What Is a Screen?: Screening Nature 1:31:55
What Is a Screen?: Projection and Protection 1:31:16
What Is a Screen?: Material. Human. Divine. Notes on the Vertical Screen 1:44:07
Amazigh Women’s Arts: Visual Expressions of Berber Identity 1:14:07
After Wilfred: The Influence of Lumia on the Joshua Light Show 1:08:56
The Dutch Abroad and What They Brought Back, Nautilus Cups in Holland: East Embraced by West 1:02:59
[deleted video]
“The Carryers of the World”: Trade and Luxury Goods in the Dutch Golden Age 55:38
Fragile Matters: Fascination for Ceramic in the Early Modern Period 1:00:15
The Lemon’s Lure
The Domestic Material World of New Netherlands 1:13:42
West Meets East in Miniature 1:00:10
2017-03-21
2015 Programs at Yale University Art Gallery
# click the upper-left icon to select videos from the playlist
source: Yale University Art Gallery 2015年11月3日
The Gallery offers a variety of lectures, panel discussions, and talks that place our collection and exhibitions in the broader context of history and culture. Speakers include curators, scholars, artists, critics, writers, and others engaged with the world of art and ideas. Programs range from lectures for a general audience to symposia with a scholarly focus. Concerts, film screenings, dramatic performances, and literary readings connect the art on view at the Gallery with other forms of expression. Master classes provide an opportunity to explore works of art in an intimate classroom setting with a curator, educator, or guest scholar. Please check our online calendar for a full listing of lectures and other events
http://artgallery.yale.edu/archive
Fruit, Flowers, and Lucky Strikes: The Still Life in American Culture 59:56
Once disdained as possessing only “a petty, imitative monkey talent” (as described by the artist John Opie in 1848), still-life painters gained respect through the 19th century as they celebrated America’s new culture of abundance. In the post–Civil War era, painters of the first rank—John La Farge, William Michael Harnett—adopted the still life as a major mode of expression. By the 20th century, in the hands of artists such as Paul Strand, Stuart Davis, and Georgia O’Keeffe, it had become a medium for innovation. In this lecture, Carol Troyen, B.A. 1971, M.A. 1974, Ph.D. 1979, the Kristin and Roger Servison Curator Emerita of American Paintings, Museum of Fine Arts, Boston, examines the evolution of the still life from marginal subject to a genre essential to modernism. Followed by a reception. Generously sponsored by the Oswaldo Rodriguez Roque Memorial Fund.
Velázquez’s Masterpieces in Seville and Some New Proposals 1:04:44
William Kentridge: Peripheral Thinking 1:00:24
Gallery+ Newspeak 47:50
Homes of the American Presidents 1:11:48
The Challenge of Building a National Museum 1:06:48
Andrew Carnduff Ritchie Lecture, A Conversation with Mike Leigh 1:24:08
For Silver, for Country, and for Yale: Francis P. Garvan and the Politics of Collecting 35:50
Painting Techniques: From Rembrandt to Vermeer 1:08:08
Rembrandt (1936): Conversation with Francesco Casetti and John Walsh 31:19
Song without Words: The Romantic Experience 1:25:28
Attempting Impossibles: Hazlitt on Turner and Blake 1:04:27
The Material World in 17th-Century Dutch Painting 38:27
source: Yale University Art Gallery 2015年11月3日
The Gallery offers a variety of lectures, panel discussions, and talks that place our collection and exhibitions in the broader context of history and culture. Speakers include curators, scholars, artists, critics, writers, and others engaged with the world of art and ideas. Programs range from lectures for a general audience to symposia with a scholarly focus. Concerts, film screenings, dramatic performances, and literary readings connect the art on view at the Gallery with other forms of expression. Master classes provide an opportunity to explore works of art in an intimate classroom setting with a curator, educator, or guest scholar. Please check our online calendar for a full listing of lectures and other events
http://artgallery.yale.edu/archive
Fruit, Flowers, and Lucky Strikes: The Still Life in American Culture 59:56
Once disdained as possessing only “a petty, imitative monkey talent” (as described by the artist John Opie in 1848), still-life painters gained respect through the 19th century as they celebrated America’s new culture of abundance. In the post–Civil War era, painters of the first rank—John La Farge, William Michael Harnett—adopted the still life as a major mode of expression. By the 20th century, in the hands of artists such as Paul Strand, Stuart Davis, and Georgia O’Keeffe, it had become a medium for innovation. In this lecture, Carol Troyen, B.A. 1971, M.A. 1974, Ph.D. 1979, the Kristin and Roger Servison Curator Emerita of American Paintings, Museum of Fine Arts, Boston, examines the evolution of the still life from marginal subject to a genre essential to modernism. Followed by a reception. Generously sponsored by the Oswaldo Rodriguez Roque Memorial Fund.
Velázquez’s Masterpieces in Seville and Some New Proposals 1:04:44
William Kentridge: Peripheral Thinking 1:00:24
Gallery+ Newspeak 47:50
Homes of the American Presidents 1:11:48
The Challenge of Building a National Museum 1:06:48
Andrew Carnduff Ritchie Lecture, A Conversation with Mike Leigh 1:24:08
For Silver, for Country, and for Yale: Francis P. Garvan and the Politics of Collecting 35:50
Painting Techniques: From Rembrandt to Vermeer 1:08:08
Rembrandt (1936): Conversation with Francesco Casetti and John Walsh 31:19
Song without Words: The Romantic Experience 1:25:28
Attempting Impossibles: Hazlitt on Turner and Blake 1:04:27
The Material World in 17th-Century Dutch Painting 38:27
2016 Programs at Yale University Art Gallery
# click the upper-left icon to select videos from the playlist
source: Yale University Art Gallery 2016年9月22日
2016 Programs at Yale University Art Gallery
The Gallery offers a variety of lectures, panel discussions, and talks that place our collection and exhibitions in the broader context of history and culture. Speakers include curators, scholars, artists, critics, writers, and others engaged with the world of art and ideas. Programs range from lectures for a general audience to symposia with a scholarly focus. Concerts, film screenings, dramatic performances, and literary readings connect the art on view at the Gallery with other forms of expression. Master classes provide an opportunity to explore works of art in an intimate classroom setting with a curator, educator, or guest scholar. Please check our online calendar for a full listing of lectures and other events
Making a Masterpiece: The Royal Inca Tunic at Dumbarton Oaks 1:09:18
The royal Inca tunic at Dumbarton Oaks Research Library and Collection, in Washington, D.C., has long been recognized as the single most important artifact to have survived from the Inca civilization. Examining this tremendously complex work of art yields a richer appreciation of Inca artistic practices, aesthetics, and color theory. In this lecture, Andrew J. Hamilton, Cotsen Postdoctoral Fellow in the Society of Fellows and Lecturer in the Department of Art and Archaeology at Princeton University, New Jersey, shares new research on this fascinating object.
Presented in conjunction with the exhibition Weaving and the Social World: 3,000 Years of Ancient Andean Textiles and sponsored by the Martin A. Ryerson Fund.
Studying American Furniture in the Present 49:35
Friendship, Enslavement, and Persistence: Indigenous Relations with the “Wautaconâuog-Coatmen” 52:22
Yale at Yosemite: A Conversation across University Collections 1:08:03
American Irony: Religious Freedom and Slavery in Colonial Newport 1:24:23
Recollections of a Great Musical Weekend in New Haven 57:49
Rembrandt’s Debut in Amsterdam 1:04:12
Rembrandt the Dramatist and the Heart of the Matter 1:01:12
The “Most Bizarre Manner”: Rembrandt’s Etchings 1:08:16
Rembrandt Presents Himself 1:01:24
Past Tense 1:04:43
Rembrandt’s Syndics and His Later Portraits 54:48
The Jewish Bride: Rembrandt’s Surfaces and Depths 53:49
“To Bigotry No Sanction” 51:41
Rustic or Refined: The Arts of Renaissance France 1:02:47
The World’s Oldest Church: Bible, Art, and Ritual at Dura-Europos, Syria 1:15:24
The Nok Terracotta Enigma 1:20:25
Yale University Art Gallery 10,000 Member Celebration - June 26, 2016 5:05
Francisco Goya’s Prints in Context 55:22
Dissembling Earth in Yoruba Visual Culture 1:18:34
How Dutch Painters Invented Atmosphere 1:01:36
Rembrandt’s “Three Crosses” 1:02:33
RoseLee Goldberg on Dada and Dance 1:22:04
Frans Post: Bringing Home the New World 37:17
Peter Paul Rubens, Rembrandt van Rijn, and the Spousal Model-Muse 52:24
From Paris to Tahiti: Paul Gauguin’s Innovative Prints 1:03:25
source: Yale University Art Gallery 2016年9月22日
2016 Programs at Yale University Art Gallery
The Gallery offers a variety of lectures, panel discussions, and talks that place our collection and exhibitions in the broader context of history and culture. Speakers include curators, scholars, artists, critics, writers, and others engaged with the world of art and ideas. Programs range from lectures for a general audience to symposia with a scholarly focus. Concerts, film screenings, dramatic performances, and literary readings connect the art on view at the Gallery with other forms of expression. Master classes provide an opportunity to explore works of art in an intimate classroom setting with a curator, educator, or guest scholar. Please check our online calendar for a full listing of lectures and other events
Making a Masterpiece: The Royal Inca Tunic at Dumbarton Oaks 1:09:18
The royal Inca tunic at Dumbarton Oaks Research Library and Collection, in Washington, D.C., has long been recognized as the single most important artifact to have survived from the Inca civilization. Examining this tremendously complex work of art yields a richer appreciation of Inca artistic practices, aesthetics, and color theory. In this lecture, Andrew J. Hamilton, Cotsen Postdoctoral Fellow in the Society of Fellows and Lecturer in the Department of Art and Archaeology at Princeton University, New Jersey, shares new research on this fascinating object.
Presented in conjunction with the exhibition Weaving and the Social World: 3,000 Years of Ancient Andean Textiles and sponsored by the Martin A. Ryerson Fund.
Studying American Furniture in the Present 49:35
Friendship, Enslavement, and Persistence: Indigenous Relations with the “Wautaconâuog-Coatmen” 52:22
Yale at Yosemite: A Conversation across University Collections 1:08:03
American Irony: Religious Freedom and Slavery in Colonial Newport 1:24:23
Recollections of a Great Musical Weekend in New Haven 57:49
Rembrandt’s Debut in Amsterdam 1:04:12
Rembrandt the Dramatist and the Heart of the Matter 1:01:12
The “Most Bizarre Manner”: Rembrandt’s Etchings 1:08:16
Rembrandt Presents Himself 1:01:24
Past Tense 1:04:43
Rembrandt’s Syndics and His Later Portraits 54:48
The Jewish Bride: Rembrandt’s Surfaces and Depths 53:49
“To Bigotry No Sanction” 51:41
Rustic or Refined: The Arts of Renaissance France 1:02:47
The World’s Oldest Church: Bible, Art, and Ritual at Dura-Europos, Syria 1:15:24
The Nok Terracotta Enigma 1:20:25
Yale University Art Gallery 10,000 Member Celebration - June 26, 2016 5:05
Francisco Goya’s Prints in Context 55:22
Dissembling Earth in Yoruba Visual Culture 1:18:34
How Dutch Painters Invented Atmosphere 1:01:36
Rembrandt’s “Three Crosses” 1:02:33
RoseLee Goldberg on Dada and Dance 1:22:04
Frans Post: Bringing Home the New World 37:17
Peter Paul Rubens, Rembrandt van Rijn, and the Spousal Model-Muse 52:24
From Paris to Tahiti: Paul Gauguin’s Innovative Prints 1:03:25
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